CIP for self-publishers

Did you ever open a book and notice that back of the title page has, probably beneath a copyright notice and a mailing address for the publisher*, a little block of text that says “Library of Congress Cataloging-in-Publication Data”? For those of us of a certain age the layout is familiar, as it is pretty much what you’d see on a catalog card from the pre-digital library catalog**. If fact it is there for exactly that reason: it give librarians a head up on how to classify the book, what the main subjects are, and it presents the author’s name in a form that will distinguish it from other similar names. So part of the function is that the cataloging in publication (CIP) provides an analog catalog record which can be copied into a library’s catalog. But CIP’s other function, when it come from the Library of Congress (of some other national library like Library & Archives Canada or the British National Library) is to tell librarians that this book is serious enough to have been submitted to the national library. (Actually they just submit a title page, table of contents and/or summary, and biographical info about the author, since the book may be unfinished. That’s why CIP doesn’t include the page count and other details you will find on an actual catalog record, and occasionally the title changes by the time of publication, and in some cases the subjects don’t really match the finished book.)  Getting CIP is a detail the big publishers bother themselves with because it makes sales to libraries that much easier, but it also demonstrates the publisher cares about details, and might have performed other traditional publishing roles like fact-checking, proofreading, and editorial review. Small presses and self-publishers might do all that too, but in my experience a lot of them don’t. Sadly getting CIP isn’t very easy for them either. The Library of Congress has some requirements about the number of books and authors published by a publisher before they will even be eligible for CIP, which effectively shut out self-publishers.

Naturally a number of companies are happy to fill this void, and they charge from $50-120 for the service. Of course most writers of fiction probably don’t need to bother with CIP, since the subject analysis and call number assignment of fiction is not a big issue for libraries. But nonfiction — especially nonfiction that the author thinks has some lasting value and would like to have preserved in a library — has a much better chance of getting into the libraries with CIP. I wouldn’t say it is as important as having an ISBN but it is on the same list of priorities. You can read more here, if you are interested in why CIP is important and how to get it. (The linked article mentions three companies that provide CIP for a fee. I’d also add Special Libraries Cataloging, Inc., to the list. The owner “Mac” Elrod has a fairly impeccable reputation.)

Anyway all this is a preamble to say that if you

  1. are self-publishing a book on RPGs, miniatures, or other topics likely relevant to this blog, and
  2. would like CIP as a small measure to help get your work into libraries

I’d be more than happy to provide CIP. I am professional cataloger, so I won’t screw it up too badly. And I’ll do it for free because I want to promote the hobby and the DIY community. Depending on response, I ought to be able to do this pretty quickly for you — quickly enough that it shouldn’t delay publication. All you need to do is send me

  • a mock up of what you title page will look like (front and back) — preferred title, author, and publisher place/name/date
  • a table of contents listing chapters or sections if that helps explain your content, and/or a summary, and
  • enough information about yourself that I can distinguish your name from others already in the national authority file (NAF)

See, I’m not asking for a free copy or anything like that — after all your book is presumably unpublished if you plan to add the CIP, right? I’d be doing this on my own time, not my library’s, so unless we do actually acquire a copy I can’t add your record online to WorldCat, nor can I actually add your name to the NAF if you don’t already have works in WorldCat or in my library like I do for books at my library; it will just be an email back with text to cut and paste onto your book’s title page verso (verso=back, recto=front, in bibspeak). Also I will be doing this from home, since it would not be kosher to use library resources for outside stuff. So it’s not exactly a guarantee of anything, you’re be getting what you pay for, etc., but it could help.



*And perhaps a series of numbers like this: “15 14 13 12 11 10 09     10  9  8  7  6  5  4 3”, which printers use to note printing year and number; they just pull off the previous number, so in this case the first group of numbers might be the year and the second group the printing number, so here we see a 3rd printing made in 2009.  Other printers don’t bother with the year and list numbers out of order: “2 3 5 7 9 8 6 4 1”.  This is kind of dying out as printers no longer need to literally remove the numbers from the printing block, but for older books if you see a “1” in the sequence you know you have a first printing.

**Actually the CIP standard has recently been updated to match changes in cataloging rules and to be, theoretically, more web-friendly.

Published in: on November 24, 2015 at 12:00 pm  Comments (1)  

Return of the son of the bride of rats-on-a-stick!



Yes, ’tis the weekend before Samhain (/sa-ween/)  or Halloween again and there is a party and rats on a stick. This year I varied the recipe again, using a can each of cannelloni, navy beans, and red kidney beans with about 1 1/2 cups of plain bread crumbs, four chicken eggs, and maybe a quarter cup of teriyaki sauce, with salt, pepper, and garlic to taste (i.e. tons) for the outer cores and 1/3 or 1/4 of a string cheese stick for the core of each rat. The tails are bucatini, a spaghetti-like tubular pasta. They will be served with teriyaki sauce to dip (rats on a stick can get pretty dry when reheated). Bon appatite!


Published in: on October 24, 2015 at 9:34 am  Comments (1)  
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Canton cannon!

Last month I spent some time visiting a veteran’s memorial in Canton, Ohio. It was a weekday and the place was pretty empty — no doubt fact that the memorial is right off an interstate highway, and not really in a residential area, I suppose.

Anyway apart from a pleasant gazebo to sit in, and a path around a small pond, the things that really caught my eye were a couple of pieces of 18th century artillery that were mounted there on stone pedestals. Both were looted late in the 19th century from the Philippines and eventually found their way to Canton, Ohio. The amazing thing about them is that although they are utilitarian military weapons, they are also intricately sculpted and decorated. They were made at a time when everything was basically made by hand and decorated because why the fuck wouldn’t you make anything you are making beautiful as well as functional.

Here are some pictures, taken with my primitive flip-phone. Both are obviously bronze.

First up, a cannon.


Looking at it from the end the crew would see, there is a face — perhaps a ‘green man’ — sculpted onto the butt.


He’s a little cross-eyed.


The whole barrel of the thing is covered with reliefs and inscriptions. The touch-hole (where you’d insert a fuse to set it off) has a fire-burst decoration.


Futher along the barrel is a nice sun face.


Happily there is also a plaque explaining the Latin inscriptions;


Next up, a mortar.


I like the face on this one even more.


There is a set of loops that I think were used to adjust the mortar’s elevation. I guess you’d have chains or ropes threaded through them. They are sculpted into stylized “dolphins” typical of the sort you see in Renaissance art.


There is a plaque for this too.


This is just displaying my ignorance now, but back when I first saw the art in various Warhammer Fantasy Battle books (and the corresponding Citadel figures) of artillery with faces and other grotesquery on them, I assumed it was the drug-fueled visions of John Blanche, Ian Miller, and the other Games Workshop staff artists. I didn’t realize they were just depicting how old artillery really looked.


Published in: on October 17, 2015 at 12:41 am  Comments (3)  
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Here’s a brief rundown of some podcasts I’ve been listening to during my commutes and during some the more routine tasks I do at home or work. Not all are swords and/or dorkery related.

Save or Die! : a podcast about OD&D and the various “Basic” sets and their clones. This one is worth listening to only when the guest is a good one (e.g. John Peterson) or they are covering an interesting old supplement. Most of the time, there is far too much chit-chat among the hosts. My issue with the hosts is that they are very prone to saying some opinion or ruling they prefer is the only one that “makes sense” without making much effort to understand alternatives. That just gets on my nerves. YMMV. B.

Nerd Poker : a podcast about Brian Posehn and some comedian friends of his playing D&D. This is definitely not for people who are hung up on rules, as they stumbled through 4th edition for something like 30 sessions before giving up and going back to 2nd edition, which they actually don’t seem to understand any better than 4th. But this the only “actual play” podcast I’ve liked, because the table talk is always pretty funny and the campaign settings have been imaginative, even though the actual play part is mostly horrifically slow combat. Table talk is probably 50% or more of the run time, meaning they rarely finish an encounter in one episode if it involves combat. A.

System Mastery : A podcast devoted to making fun of RPGs, I think. I’ve only actually listened to one episode (about the Galloway Fantasy Wargaming), and I probably picked a bad one to start with because I actually know a fair amount about this one and have a soft spot for it. In this case they went directly after the low hanging fruit (sexist comments in the literature review, stat mods for females) but they did give some begrudging kudos for the magic and religion ideas. Listening was a good reminder about how incredibly easy it is be snarky and hypercritical of something if you studiously ignore context and only half pay attention. (I don’t think the podcasters here would disagree, since they bragged about doing “no research” and made a lot of bizarre errors about history.) As a comedy podcast, it had its moments though, and I’ll check out a few more before firming up an opinion. C.

Heavy Metal Historian : I don’t know how I found this one, but it is not bad at all. Each episode looks at some part of the development of and influences on heavy metal or a subgenre within it. The narration is mixed with excerpts of music and from interviews or documentaries, and this is a big plus. I was kind of impressed with an early episode that illustrated the influence of classical music on Black Sabbath (cf. Holst’s “Mars, the bringer of war” juxtaposed with Black Sabbath’s eponymous song), and I really like being able to hear snatches of obscure bands that I’ve heard *of* but never heard. A.

Welcome to Nightvale : I know this one has been around a long time and has been praised to death elsewhere but so far I’m really enjoying this too. I can’t listen to it at work for fear of laughing out loud. If you haven’t heard of it, it is supposedly a broadcast from a small town in Arizona where rivalry with the neighboring town, eccentric locals, and cosmic horror are all facts of life. A+.

Stuff you should knowStuff to blow your mind / Stuff they don’t want you to know: has a whole portfolio of podcasts, blogs, and whatever the word is for video podcasts. So far I’ve really enjoyed a lot of them. In particular I’d recommend the ones on Vultures, Ergotism, spiders, and of course Dungeons & Dragons. A.

WTF with Marc Maron: This one is evidently really well-known too, I am late to the party, whatever. Comedian Marc Maron just has really in-depth conversations with people. The best on I’ve listened to so far is with Wyatt Cenac, a distant second is Jason Bateman. Bob Guccione Jr. was great too. Maron has a way of really probing his subjects and getting them to open up in a way you don’t often hear. A+


Published in: on October 8, 2015 at 6:13 pm  Comments (2)  

Turbo Kid! (with no spoilers)

So Turbo Kid ran its limited release in Akron and I did get to see it.The regular D&D group was down two players that week so we decided to catch a flick, and gathered an hour or so ahead of time at the hipster cinema to drink and loudly discuss politics while we waited for the show to start. It turns out that the several beers we tried were all ridiculously strong craft beers (9% ABV or so) so by showtime I was a little tipsy. I expected chemical enhancement to improve the viewing experience anyway and was not disappointed. Though I’ll need to see it again some time stone sober to see if it dampens my enthusiasm.

From the opening credits (listing the distributor as “The leader in laser disk sales”) it was pretty much perfect. Low budget? Yeah. But special effects can still look pretty decent these days on a budget, and the mix of computer and practical effects was never distracting, even though there were exploding bodies, geysers of blood, and laser-powered glove weapons. It all worked. The landfill sets and BMX chase scenes were filmed with love and the cheesiest lines were delivered with heart. You can tell everyone involved was having a great time and wanted nothing more than to make this gory retro sci-fi epic.

The actors are mostly obscure, apart from the always entertaining Michael Ironside. But they all do a great job. Even the wild-eyed, overly enthusiastic Laurence Labeouf doesn’t get old.

Someone has surely already described this movie as “The Road Warrior on BMX bikes,” or “Cherry 2000 directed by Luigi Fulco,” or “The Troma version of the Power Rangers,” so I won’t try to compare it to anything else. Go see it. You’re welcome.

Published in: on September 9, 2015 at 9:59 pm  Comments (1)  
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Are you freaking ready for 1997?

Warning: link is to a trailer for an independent post-apocalyptic/horror/sci-fi movie that is rated R and shows graphic (but unrealistic and cartoony) violence.

Still with me? Great.

Go ahead, click THIS.


Review to follow after I see it in Akron next week.

Published in: on August 28, 2015 at 12:01 am  Comments (2)  

Seneca Caverns

Finally, some pictures from my expedition into Seneca Caverns (aka The Earth Crack, the sign outside proudly proclaims!).

The first thing I noticed was the graveyard next door. This photo is from the parking lot, next to the picnic tables in the upper left of the cavern map from the previous post (reposted above for clarity).


the graveyard

Yup, the caverns are under a graveyard. I’m sure that’s fine.

i didn’t do a very good job of keeping track of what level each picture is from, and because I had to delete a few pictures for romm during the tour, they may be a little out of order. Here are some of the natural steps. (All the stairs on the cavern map are actually just natural steps in the fragmented rock; probably some were carved or cut into better steps but they were always very irregular and a few were kind of challenging — you need to use your hands and scamper up some narrow passes.)


The lighting was mostly pretty subdued. I saw some moss growing near the lights but because this is a fracture cave rather than a solutional cave, it doesn’t matter as much. There very few stalagmites and stalactites, they were all in one area, and otherwise there was not much that you couldn’t touch. Although the whole system floods occasionally, there is very little sedimentary activity. At this point I should stop for a little speleological trivia, because before visiting Seneca Cavern I didn’t know what a fracture cave was. Almost every cavern you can visit as a tourist, in the US at least, is solutional: it was formed by acidic water (probably rainwater with carbon dioxide dissolved in it) flowing through, and slowly dissolving limestone. But Seneca Caverns formed more dramatically. Something like 10,000 to 250,000 years ago (my guide couldn’t pin it down) the layers of rock far below the rock that Seneca Cavern is in now was washed away to the point that many layers simply collapsed. All the “level” of Seneca Cavern are voids left between layers of various types of rock. In this case I think the lower strat were gypsum or contained gypsum, which dissolves in water. A more detailed and accurate explanation is here. The upshot is that we are left with a number of roughly rectangular chambers connected by shafts. You can see fracture lines all over, and the broken rocks covering the floors can be fitted back into the ceiling with a little imagination.

Now more pics.


That’s a view from the “Cathedral” room on level 4. It’s called the cathedral because the cieling is highest here — perhaps eight feet in areas. I’m looking toward the “devil’s leap” which is off to one side, across from the tour path. It’s lit be a red lamp, and you can sort of tell it goes down. Our guide said that geologists found at least 13 levels going down, in  a very dry year, but could not explore further due to the water flooding the lowest levels. The water table always encroaches on Seneca Cavern, sometimes flooding all the way to level 1 but usually flooding level 8. It was a little higher when I got there, and level 7 was totally under water.


Looking down one of the ‘stairways’, I think between levels 5 and 6.


Another shot of the same.


There were lots of crawls-spaces you couldn’t safely access.


I think this is some fossilized coral. I missed the large fossilized Macropetalichthys sullivani. From what I read on the web site, it is an armored fish about 11 feet long. Maybe it is not readily viewed from the tour path.


Above and below some good shots of the jagged nature of these chambers. there were spots I had crouch down and almost crawl through. I wouldn’t recommend this tour for someone who is claustrophobic.

000_0012 000_0014

The fourth level also had a lot of graffiti. Apparently in the early days, tours were self-guided and people were fucking vandals. They call this are “inscription hall” and the graffiti is so old it is historical now. :)


A view of the stairs between levels 3 and 4, I think.


Below is a view of the best stairs in the cavern, which I think were between level 1 and 2. These were almost like real stairs.


Another crawlspace:


The entrance to “Tin pan alley,” named so because you have stoop like a panner. This was on Level 3.


Level 3 had at least three distinct chambers, though all were pretty low.


I think the above might be the “earthquake attic” on level three?

Below, another shot of the Cathedral room on level 4.


Below, another photo that came out pretty badly, but the brightly lit stone has a very nice cursive inscription made by a tombstone engraver who visited early in the Cavern’s history — the C.D. Royer rock mentioned on the map. I should mention that this cavern was discovered in 1879 by some kids who fell in through a sinkhole. It wasn’t until much later that someone bought and excavated the glacier-clay choked caverns and turned it into a tourist attraction. A lawyer named Bell (his family still owns the cavern) had some clients dig out the clay in lieu of paying his fees. Before that the upper levels were totally choked with glacial clay and you had to crawl through on your belly. The first tourists went in with candles and rope tied around thier waists. When their candles burned out, they were to follow the rope (tied to a maple tree near the entrance) out.

000_0024 000_0025

Because of the red light, I think the next photo is another view of the Devil’s Leap.


If you look closely, you’ll see tiny, pencil-eraser sized stalactites. They are white because they are wet and reflect my flash:


The stalactites are across from the Devil’s Leap and the only parts of the cavern you mustn’t touch. As you may know, the oils on your filthy fingers will stop the minerals in the water from sticking and being deposited, ending the slow growth of the stalactites which grow about 1 inch every 100 years. Because the cavern has only been cleared out for 70 years or so, the largest stalactite is less than an inch long!


More ‘inscriptions’:

000_0029 000_0030

I think the white specks below are chert deposits.


Level 3 I think.


More pictures of various areas I can’t really identify:

000_0033 000_0035 000_0036 000_0037

The next photo looks down into the flooded stairway to level 7. There is a metal railing that was added some time ago, and you maybe can see the clear water below. That’s the “Old Mist’ry River” — not a river at all but the water table. It might seem to flow from level 7, but it is just the water table. A ‘message in a bottle’ was released in the “River” and took four years to emerge about 14 miles away in a water hole to the north. That water hole is also known to be an exposed bit of the water table.

000_0038 000_0039

Down by level 6, I noticed this void between level 5 and 6 that is about 18 inches high and apparently reinforced or stabilized with re-bar.


Well, that’s it. If you find yourself near Sandusky, Ohio, do check out this cavern. The tour was about an hour long and very fun. You’ll also be pretty close to attractions like Ghostly Manor and Cedar Point, and short ferry ride from Put-in-Bay which boasts another cave to visit and geode big enough to go inside and conveniently located below a winery, as well as a neat naval museum.

Published in: on August 25, 2015 at 10:49 pm  Comments (5)  
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Spelunking we shall go, and, A giveaway!

Well, visiting a tourist cavern, not hardcore spelunking into a cave.

This weekend we’re taking a little getaway and one of our stops will almost certainly be Seneca Caverns, a  little tourist stop near Lake Erie that I never even knew existed, despite my interest in caverns. It may not be huge or especially colorful, but I really dig the map of the caverns on their web site which makes it look like an eight-level dungeon.

Seneca Caverns map, used with permission.

My wife says that I will never make it to level 7, but thinks my daughter can get there (I assume level 8 is off limits). If you’d like to make your prediction about how deep I’ll get before becoming lodged, freaking out, or fleeing in panic, leave a comment. The correct answer (or a randomly selected correct answer if I get more than one) will win their choice* of fabulous prizes from my collection of stuff I’m trying to get rid of.

*Some restrictions apply: One prediction per comment. Excludes boxed games. Winner must live in North America or be willing to cover postage costs over $5 US.  Giveaway cancelled if I drown in Ole Mist’ry River, fall to my death, disappear in the Wild Cave Area, or am eaten by cannibalistic humanoid underground dwellers.

Published in: on August 14, 2015 at 10:56 am  Comments (9)  
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EGG biography coming this fall


This may be old news, as I don’t read the RPG forums any more, but I just heard about an upcoming book, Empire of the Imagination by Michael Witwer. As far as I can tell it is the author’s first book. I’ll keep an eye out for it. Judging by the subtitle it may be less of a biography and more yet-another-book-on-how-D&D-happened, but I’m holding out hope that it is a real biography.

Published in: on July 30, 2015 at 9:07 am  Comments (5)  

A petition

There are a lot of people I sort-of-know through blogging, and once in a while I have an opportunity to be of some help. Here’s one. Please consider following this link to and signing the petition. He is asking his state’s supreme court to hear an appeal filed on behalf of his late nephew, who appears to be the victim of a horrible miscarriage of justice. Thanks!

Published in: on July 23, 2015 at 1:53 pm  Leave a Comment  

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