So Turbo Kid ran its limited release in Akron and I did get to see it.The regular D&D group was down two players that week so we decided to catch a flick, and gathered an hour or so ahead of time at the hipster cinema to drink and loudly discuss politics while we waited for the show to start. It turns out that the several beers we tried were all ridiculously strong craft beers (9% ABV or so) so by showtime I was a little tipsy. I expected chemical enhancement to improve the viewing experience anyway and was not disappointed. Though I’ll need to see it again some time stone sober to see if it dampens my enthusiasm.
From the opening credits (listing the distributor as “The leader in laser disk sales”) it was pretty much perfect. Low budget? Yeah. But special effects can still look pretty decent these days on a budget, and the mix of computer and practical effects was never distracting, even though there were exploding bodies, geysers of blood, and laser-powered glove weapons. It all worked. The landfill sets and BMX chase scenes were filmed with love and the cheesiest lines were delivered with heart. You can tell everyone involved was having a great time and wanted nothing more than to make this gory retro sci-fi epic.
The actors are mostly obscure, apart from the always entertaining Michael Ironside. But they all do a great job. Even the wild-eyed, overly enthusiastic Laurence Labeouf doesn’t get old.
Someone has surely already described this movie as “The Road Warrior on BMX bikes,” or “Cherry 2000 directed by Luigi Fulco,” or “The Troma version of the Power Rangers,” so I won’t try to compare it to anything else. Go see it. You’re welcome.