Codex seraphinianus: Gazetteer of Carcosa

If you have any interest in strange books you have probably heard of the Codex seraphinianus — a gorgeous, bizarre book created by the artist Luigi Serafini.  A new (but still very limited) edition was just published, so you might notice some recent articles on it around the web.  It’s pretty easy to find a digital copy of this relatively rare book, but print copies run very high — I check Abebooks and Amazon occasionally and it is generally in the hundreds of dollars for a copy of the larger print runs and over a thousand dollars for the smaller runs.  I may never own a physical copy but there is enough excerpted online to get a sense of the book, and my library owns a copy which I could look at if I take the time to go downtown.

The book is a bit like enigmatic Voynich Manuscript, in that it is filled with indecipherable text and illustrations that suggest a surreal, alien world.  However whereas the Voynich ms. seems to be a treatise on something esoteric like alchemy or heretical doctrines, the Codex seraphinianus suggests an encyclopedia of some alien, dream-like (and often nightmarish) world.

The strange transformations depicted in the illustrations with a scientific indifference inspired me to add a mad wizard to my home D&D game.  The party knows him only by reputation and from seeing his handiwork or the remains of his apparatus and the monstrous hybrids he’s created.  A couple of PCs, left for dead in the dungeon, were reanimated by him as a sort of flesh golem. (In fact they’ve actually met him face-to-face at least once, but he was in disguise, so they did not get to give him the ass-kicking he so richly deserves.)


But anyway I was thinking about the Codex the other night and realized that would be a great reference work for a very nonstandard D&D campaign.  If I ever ran a Carcosa campign, the world of Codex seraphinianus would be the ancient world that preceded the current mess that is Carcosa now.  The Codex would be a sort of Bible and Voyager recording for those who find it in the dinosaur and alien-haunted ruins.


A Seraphinian Carcosa could drop the tired Cthulhu mythos references and swap it for ancient aliens and mad science.  Fantastic planet, Svankmajer, Woodrofe, and Johfra would provide an alternative palette of strangeness.  I’m not sure how to pull off any kind of extended campaign in such a confusing swirl of dreams and nightmares, though.

Published in: on November 4, 2013 at 9:17 pm  Comments (4)  
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Lovecraft, Swords & Sorcery, & D&D

In college I stumbled across a book of letters between Robert E. Howard and H. P. Lovecraft.  I’d heard, I think, that Howard’s Hyboria was connected to the “Cthulhu mythos” (if that term is legitimate) but had no idea the two had so much in common, despite their fierce differences.  Anyway I was often puzzled about the inclusion of the Cthulhu mythos in the first printings of the AD&D Deities & Demigods, and the blanket endorsement of Lovecraft’s work  in the Dungeon Masters Guide.  What does D&D have to do with HPL?  How do a bunch of adventurers (usually loosely modeled on the Fellowship of the Ring) going into dungeons for gold and glory have anything to do with the eldritch terror, cosmic horrors, and existential angst of HPL?  The various monsters that owe something to the aliens of HPL are obvious enough.


Published in: on February 12, 2010 at 2:46 am  Comments (7)  
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